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Senin, 15 Agustus 2011

Ying and Yang

I felt the need to write this article after hearing Historian David Starkey’s comments“ The Whites have become Black” which he expressed on Friday 12th August on Newsnight. The riots and looting that took place regionally involved all races yet somehow Starkey’s finger of blame is being directed solely with one group of people. Black people and their “perceived” culture.  
Starkey is a historian and one who clearly picks and chooses what aspects of findings he wants to use to push his argument and agenda, which is narrow minded and offensive. Yes Black culture has been influential in England but also across the world in positive ways from food, music and clothes, though Starkey seems to blame black culture for the change in language and so much more. He said "This language which is wholly false, which is this Jamaican patois that’s been intruded in England, and this is why so many of us have this sense of literally a foreign country".  Now we all know this statement is not true so I do not feel the need to break it down to discredit his argument. 
He went on to say “Listen to David Lammy, an archetypical successful black man, if you turned the screen off so you were listening to him on radio you’d think he was white." I am not sure what point he was trying to make but clearly anyone who speaks like him must represent who he believes he is, which is intelligent, educated and civilised. Making the David Lammy comparison would also imply that he is somehow different from other Black people. The overall tone was Us vs. Them, maintaining the greater than (Superiority) and Less than (Inferiority) tone. "The Whites have become Blacks.” As I repeat this again and again to find some sort of clarity of what he means, I hit a dead end each time. What does he mean? He mentions Chav’s so am I to assume that chavs are the new Blacks? Either way his comments are offensive in the same way as...
Starkey also said it’s not about skin colour it’s culture and then proceeds to mention Black culture. Culture is ideals, beliefs, art, literature etc of particular groups. The group he is choosing to focus on is Black, so how is his statement not about skin colour and therefore ‘race’?

Language is important and so are labels. Both are powerful in both conscious and unconscious ways. Recent developments in the analysis of DNA, confirms that the concept of ‘race’ is a constructed one, with no objective basis in biology. This concept as well as the notions of ‘Black’ and ‘White’ were imposed by the colonial powers. Rustin (1991) said, “It is both an empty category and one of the most powerful forms of social categorization” (Rustin, p.57). Categorising a group of people puts people in brackets and furthers the tone of hierarchy and rank. Colour terminology for ‘race’, the categorisation of people based on the colour of their skin, serves the same purpose.  Black and white it isn’t, as no other group of people are defined or referred to by skin colour and no other colours in the spectrum of colours, has such diverse symbolic, metaphorical, cultural connotations attached to it (Lago & Smith, 2003).

Like the Chinese Ying and Yang symbol, black and white are seen as direct opposites of each other. However there strengths are individually celebrated and when viewed as a whole this symbol represents harmony and balance. In society these colours, which “identify” the ‘race’ of a group of people, seem only to encapsulate the separateness, conflict and a good vs. bad dualism.

It is this good Vs. Bad dualism that Starkey promotes within his Us vs. Them stance. Philosopher Martin Buber spoke of I/It and I/thou which furthers my point.   I-Thou is a relationship of mutuality and reciprocity, while I-It is a relationship of separateness and detachment. As a result Starkey chooses to see “Black culture” as the problem here, even though the rioters and looters were off all ‘races’. He chooses to see what he wants to, and what he sees taps into the belief he already holds. The other members on the panel Dreda Say Mitchell and the author of Chavs Owen Jones made some great comments offering a diverse and wider perspective to Starkey’s narrow minded view, but were continually interrupted.

Starkey claimed it was the "destructive, nihilistic gangster culture'' which he said ''has become the fashion” to help explain the looters actions. The levels of consumerism has risen and with it greed. How can this “nihilistic gangster culture” be dumped at the door of one specific group? The rich and poor divide is widening, socio and economic factors need to be included as the rise in celebrity culture and so much more. When did being a gangster become synonymous with being black or part of the black culture? “Gangster culture” has been around for decades. Cowboys and Indians, Scarface, The Godfather, The Krays and even The Mitchell Brothers in EastEnders for example, all have glorified violence, wealth, control and power, so isn't this more to do with media glorification than black culture?

Psychologist Ellis (2004) said “When white society ignores their own basic feelings and need, black society have been programmed over centuries to take care of white society needs” (p.4). Alleyne extends this point by expressing “Black people continue to carry the transgenerational and intergenerational pain of their collective past, but also the burden of the other’s hidden shame and their own silent witnessing” (Alleyne, 2005, p.295). ‘Race’, difference and diversity stares us all in the face, yet as individuals we have all been conditioned to avoid it, and so the question of why never gets the attention it deserves. ‘Race’ is hard to look at especially within its historical context, this is an important acknowledgement and for me begins to explain why people with views like Starkey find it easier to place the blame elsewhere.
Lowe (2008) hits the nail on the head by acknowledging ‘race’ as paranoid-schizoid splits. Projective identification created centuries ago, deemed whites as the desirable superior aspect of the self and blacks as the inferior undesirable aspects hence the good vs. bad dualism. Gomez (Cited in Lowe) said “Demons are easily made when we identify with one side of a split’ . . . we are prone to externalize what we cannot bear within, terrified of seeing ourselves like the groups we repudiate”. (2008, p.20).
                                                            
                                                                              1. self                           2.Other  
 Pic: Individual 1. projects or expels ‘internal’ objects from within itself whilst the other ‘internalises’ or has
 them projected ‘into’ them.                                   

It is easier to lay blame with the Other than to turn the same finger to self to look at self. As I said there are many factors involved within the events that took place over a week ago. Starkey’s comments are lazy, offensive and an abuse of his knowledge.

Given that relations between black and white groups over several centuries have been typified by oppression, exploitation and discrimination, how might contemporary relationships be transformed into creative (rather than further damaging) experiences? Referring back to the Chinese Ying and Yang symbol, both the perceived opposite aspects of self need to be embraced.
However Sampson (Cited in Alleyne, 2004) illustrates “The Other [Black person] is an essential presence without whom the protagonist could not be who they claim to be” (Alleyne, 2004, p.50), the risk therefore may be too great. Society, ‘race’, psychotherapy and so much more, as we know it would be revealed to be nothing more than a construct based on false beliefs. So whilst discussion need not come from a place of blame but open mindedness, understanding and acceptance, the risk may be too great to bear. It is this which stops progression.  

This is not about Black culture it is about Blame culture. Blame perpetuates a dysfunctional cycle. To move forward everyone needs to look at all the factors involved and that includes the government and police who are currently finger pointing each other. If they all came together the solution of how to move forward could be found. Those who committed acts of crime need to look at themselves and take responsibility for their actions. Everyone had a choice and in that moment they made theirs. What occurred extended beyond class, and 'race' and it is important that those who comment on these events remind themselves of this. 


References: 
Rustin, M. (1991). Psychoanalysis, racism and anti-racism. In the Good society and the inner world. London: Verco.


Lago, C., & Smith, B. (Eds.). (2003). Anti-discriminatory practice. London, UK:Sage.


Ellis, B. (2004). Using Macrocosm to understand the Microcosm. Black therapist, White client. Politics in the therapy room. 


Alleyne, A. (2005). Invisible injuries and silent witnesses: The shadow of racial oppression in workplace contexts. 


Lowe, F. (2008). Colonial Object Relations: Going underground Black-White Relationships. 


Alleyne, A. (2004). The internal oppressor and black identity wounding. 

© Lisa Bent 2011



Kamis, 30 Juli 2009

HAIR RAISING ISSUE

     Solange Knowles Before and Now


I was inspired to write this blog after seeing and reading the comments regarding Solange’s decision to shave her hair. I personally do not think there is anything wrong with it, but the comments have been less than complimentary. For example US artist Bow Wow apparently made his thoughts clear on Twitter saying…
“Man these chicks losing they mind, they all look like they going through something. These chicks look f*ckin retarded with this bald sh*t man. These chicks losing they mind!"

Isnt it a shame that going natural, back to roots, is considered as “going through something?” This has bugged me and so I want to look at this from the other spectrum of this hair debate, as I could argue that the need to stitch and glue hair to your head to swish it like it’s yours is someone “going through something.” It’s not viewed this way by the masses because we have been conditioned from an early age that long hair is more desirable, attractive and the misconception that it is easier to manage. Put your hands up if you had a Barbie doll when you were younger? Did you wish your hair was like Barbie’s? I did and I tried numerous times to create this look by putting pyjama bottoms on my head and flicking it about like it was my real hair. In frustration I ended up cutting the dolls hair short because I didn’t and couldn’t look like her, so although she was Caucasian, I made her look like me. Please note I was 8 years old.

We are subjected to a range of media images that depict and dictate to the masses what is beautiful, but whose ideals are we conforming too? Somewhere down a very long road we have lost not only our perception of what beautiful is but also a sense of self as we fit our unique features into European ideals. I have identified 4 types of weave that seem to be populating the streets of London...
  • The Mop - The weave sits on top a nest of natural hair
  • The Horse - The hair is so long it looks like a poor horse somewhere is missing a tail
  • The Train Track - The tracks of glued in weave are visible for all to see
  • The Helmet Head - It is obvious that the hair is a wig or a weave cap as it is either to dry or to shiny and looks like it has been plonked like a helmet onto the head.
Yes, people looks like this and see this as more desirable which baffles me. However there are also many people out there that make a weave look like it’s their natural hair, congratulations to you, but the question still remains, is there something more going on other than rocking the latest trend?


I am not here to preach. I have worn a weave twice, stitched and glued. My reason? I wanted to see what my hair would look like long as my hair has been short since I cut it when I was 17. It’s been a short cropped, Ella Fitzgerald inspired style since then. I am sure you too, at some point did it for the same reason of change. The majority of people I know, including myself, have relaxed hair which does not grow as fast as natural hair or as fast as our Caucasian counterparts, so I understand that weave provides a magic service. However, is there something else going on when a weave makes a permanent settlement on the top of your head? To such an extent that the health of your own hair is substituted for the appearance of the fake hair.


There will be I’m sure numerous answers. My intention is to provoke thought. We have been bombarded with these images so much that it has become the norm, so to truly understand the extremity of all this I am going to show you an opposite extreme on a different level.

Millions of Caucasian people every year risk gaining skin cancer due to sun worshipping. Their reason? They want to be browner/darker, have a glow. Many spend hundreds a year on fake tan products and tanning booths. In layman’s terms they are buying paint in bottles to change the colour of their skin. Doesn’t that sound absurd? If you think this is very different and in no way the same as what many are doing, I would have to disagree, as they are both image related and far removed from what they are born with.

Yes I hear you, relaxed hair is not natural, it is chemically processed and if not looked after it can damage, however personally I view this to a less extent than weave wearing, purely because I am straightening my own hair rather than adding to it.

Unlike India Irie who sang “I am not my hair” it is evident that for many their hair represents who they are and the majority speak through their weaves, which are getting longer and longer. So what constitutes as beautiful and attractive? The answer will be individual but then again am I naïve to assume this? Well I must be because a vast amount of people are following one type of look. Therefore there is a mark that has been set which consciously or unconsciously is being followed. I would love to explore this on a much deeper level that surpasses the changing fashion and hair trends to begin to look at image, identity and the power of media representations on a deeper level.

So has your opinion on Solange’s hair changed if you judged it negatively like Bow Wow? The Cassie half shaven look seems to be the new trend right now. How many will level it out by shaving the other side? Perhaps Solange is creating a new trend for 2010 which effectively will allow followers to embrace their natural locks and remember or redefine what constitutes as black and beautiful.



Related Posts:
1. The Weave and I




© 2009 Lisa Bent 

Rabu, 29 April 2009

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